CELTIC MYTH & SYMBOL
JEN DELYTh
Page 8
WOAD - TRIBAL
Restless in life and seeking no end in death
for breath of the ages in the face of the air
still ghosts to the vitality
of our most early and unwritten forebears
whose wizardry still makes a lie of history
whose presence hints in every human word
who somehow reared and loosed an impossible beauty
enduring yet
among the green islands of the grey north sea
and I will not forget.
—Robin Williamson,
excerpt from “Five Denials on Merlin’s Grave,” 1978

KELTOI
Those who we know as the Celts are the fiercely independent tribes that the Romans referred to as the Gauls, Galli and Galatae, and the Greeks named Keltoi.
Their brilliant boasts, riddled wit, generous insults and terrible battle screams haunt the mountains and rivers, the high hills and hidden valleys of ancient Britain and Europe.
Something of their light and darkness lingers still within our veins, like the golden mead so favored by those warriors of life and death.
Woad is the blue plant of the tribes. In modern folklore we imagine the ancient Picts and Celts as fierce, naked warriors, their bodies painted with blue spiral and animal designs. Some say woad was used as the ritual body dye of the Celts, and this native wild plant has been symbolically chosen to represent the color of the Tribes.
Woad is the blue of the earth. It reflects the mystical color of sky, of the Otherworld that awaits great warriors who are honored in battle. The Brigantes of ancient Britain had blue shields, and blue was connected with the Celtic goddesses of war. It was also linked with the fertility of the earth, and blue was chosen as the good-fortune blessing color for women’s clothing.

TRIBAL
Tribal – the very word evokes ideas of independence of spirit and community, honor and loyalty within the group. A tribe is governed from within, and is answerable to its own needs and rules.Early tribes of Britain and Europe developed their religion, their mythology and their culture throughout the Bronze and Iron ages, adapting the beliefs of the Neolithic cultures of the stone builders who came before them.
Their profound certainty in an Otherworld, and deep respect for the numen – the sacred spirits of the land – continued to be revered at the wells, rivers and lakes, the rocks and ancient groves, the mounds of the Ancestors.
We have remaining to us mere snippets of knowledge and more legend, of the Scordisci, Boii, Senones and Norici, the Iceni, Belgae, Parisi, Brigantes: clannish tribes who fought each other as often as they battled with those who did not speak their common language or worship their Mysteries of the earth.
TRIBAL CULTURE
The Celts were not a single race of people, but a tribal culture that spread as a vital force of ideas communicated through their mystical symbols.
Masterful artists, they created images of deities for their shrines, and crafted symbolic decorations upon everyday items of pottery, wood and leather. They designed richly decorated, intricate gold and bronze objects for the emerging class of aristocratic warriors and chieftains.
We must seek to find the Celts through their brilliant mastery of iron, gold and bronze, their weapons, coins, jewelry and horse bridles – all decorated in high style and with mythic profundity.


WARRIORS
Tribal Warriors often went naked into battle, adorned with heavy golden torcs, golden belts and armbands. Their hair was bleached white with lime water and spiked in coarse tufts. Some were bearded, and others were clean-shaven or wore bushy moustaches. They were distinctive and fierce looking, unafraid of death upon the battlefield as they fought for the glory of the spoil, for their hero’s honor.
Boldly dressed and powerfully striking in appearance, they were considered fierce warriors who lived for the glory of battle with emphasis on personal bravery and honor to the tribe. They made war and conquest among other Celtic tribes and against the Etruscans, the Romans and the Greeks.
The warriors of the ancient European Celts once threatened the might of Rome and the sanctity of Delphi, the sacred oracle of Greece. But it is in the islands of the Atlantic that their culture took root, continuing to evolve through their language and traditions to the present day.

Text & Illustrations from Jen Delyth’s Full Color Hardbound Coffee Table Book
Celtic Folk Soul – Art, Myth and Symbol
Signed Copies Available Here
Design - Publishing - Licensing
Oakland California

Ninth Wave Publishing LLC
JEN DELYTH
ARTIST, AUTHOR, DESIGNER
Since 1987, artist Jen Delyth has illustrated and designed a wide range of books, textile products, stationary.
Celtic Art Studio is HOME STUDIO SITE of Jen Delyth – and Celtic Mythic Line

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The Horse was loved and worshipped by the Celtic people. Horses decorate bronze, gold and silver objects as creatures of grace, intelligence and beauty. Horses also serve as solar symbols, embodying the sun’s divine qualities of strength and fertility – and golden Celtic Coins were often minted with images of the Horse, and solar symbols such as the wheel..


































































































